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Direct & Co-Investments

Millstone Investments backs women's sports media after team stakes

Heather Millstone says her first Allez! Sports check was hers alone, the second with sister Jessica, and she backed RE on her own.

Heather Millstone's family office came to women's sports media through the teams. Millstone Investments, which she co-owns with her sister Jessica, holds stakes in the Portland Thorns of the National Women's Soccer League and in the Calgary Wild, part of a new Canadian women's soccer league, and the newer commitments sit one layer back from the pitch, in companies that cover the athletes rather than employ them.

Allez! Sports came first, described by Millstone as a new women's media company in a conversation with The Family Office Professional, and her account of the investment splits in two: an initial check she wrote herself to get the company running, and a second commitment she and Jessica made together. What drew her was distribution rather than programming. "Instead of trying to work on television where traditional media focuses, they are going straight to YouTube," she says.

The second is RE, which Millstone backed on her own. Founded by two former U.S. women's national team players, it aims, in the piece's description, to change the way women's sports are discussed, reaching back into the sport's history as well as covering its present. "Language and nuance matter in storytelling," Millstone says.

Millstone casts the media positions as a consequence of the team stakes rather than a separate thesis: "It was quite organic, how this started to spiral as I started realizing the pillars that are necessary for women's sports to survive," she says. The league is only as durable as the parts around it, and a league whose games are hard to find, hard to read about and hard to argue about is a league with a thin commercial floor. In the same interview she describes the business of women's sports as reinventing how it builds, brands and tells stories, arguing it has to be creative to avoid what she calls the staleness of traditional leagues as media consumption shifts.

The two media checks diverge from most sports investing on that distribution choice. Going straight to YouTube is not a cheaper version of television; it is a different relationship with the audience, built on a platform that owns the distribution and the viewer data, and one that skips the carriage negotiations that decide whether a league gets seen at all. The trade is real in both directions, and the interview contains no audience, revenue or reach figures for Allez! Sports.

Distribution before the press box

Millstone's case for the media layer is a supply argument about attention. She points to the gym, where the television is usually tuned to ESPN, and says the network devotes almost all of its programming to men's sports. "Generally, you can only cut through some of that noise if it's bad news, like a massive abuse scandal, or hot takes that fuel political divisions," she says. Whether that characterization holds is an audience-data question, but it demonstrably drives how she allocates. She offers a smaller, more personal version of the same point: searching a newspaper sports section for the previous night's women's soccer score took her past out-of-season football, basketball, ice hockey and high school football, at which point the published interview breaks off.

Read as a portfolio, the four positions Millstone describes put one family office on both sides of a single question: what makes a women's sports league worth something. Equity in the Thorns or the Wild and equity in outlets that cover those leagues is the same thesis bought twice; if the thesis holds, the two holdings reinforce each other. But the team assets and the media assets both depend on the same demand curve, and a reader weighing a co-investment alongside Millstone would want to know how she thinks about that correlation. The published interview does not address it, and it does not disclose what Millstone and her sister paid, what stakes they hold, when any of the four investments closed, or which family entity holds what.

The gaps are the shape of the story. Millstone Investments is presented as a conviction investor working from a public argument about an underfunded sector, and the numbers that would let a reader test the argument — check sizes, entry valuations, ownership percentages, the split between the sisters' personal capital and the family office's — are absent. The record holds only a sequence: teams first, then the companies that tell the teams' stories, and a stated belief that the second keeps the first alive. Whether other family offices read that as a template or as one family's enthusiasm is a question the interview does not answer, and with no check sizes disclosed there is nothing yet to size.

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